COLLABORATION WITH PICNIC RECORDS FOR NEXT RELEASE
TRACK TITLE_'UP ABOVE'
MOSES POWERS_UP ABOVE_COLLAGE_2010
Thursday, 9 December 2010
Thursday, 11 November 2010
PAST_TO_PRESENT
More from the past...
Moses Powers_Memory boxes_2008
Moses Powers_The Waiting Game_2008
Moses Powers_Untitled_2009
Moses Powers_Pyramids_2009
Moses Powers_Memory boxes_2008
Moses Powers_The Waiting Game_2008
Moses Powers_Untitled_2009
Moses Powers_Pyramids_2009
Monday, 8 November 2010
IN BRIEF AND LONG OVER DUE...
IL BE POSTING A FEW IMAGES NOW AND AGAIN
FROM PLACES IV BEEN, PEOPLE IV MET AND THINGS IV SEEN...
Sunday, 31 October 2010
Saturday, 30 October 2010
Monday, 11 October 2010
Saturday, 9 October 2010
ESPER MAGAZINE_ASGER JUEL LARSEN FEATURE
Photography_Moses Powers
Styling_Ella Dror
Designer_Asger Juel Larsen
Model_Adam
ANTI DESIGN FESTIVAL
We are living in an age where millions of colours became 256. Difference is the enemy. Generic culture hypnotises us all into generic patterns, where control is visibly invisible. Danger is replaced by fear. New means upgrade. Risk is obsolete. Art made money stupid, and money made us fools. We welcome no_use, no_function and no_fear. Anarchy, crash and burn, the new awaits.
From Learning to Earning, and now to Yearning, we have forgotten why we are here. We have lost touch with
what made us tick, the fire of creative
possibility that once consumed us from within. Revolutionary thought is but a distant memory. I grew up as part of a generation that thought it could help improve society; that our sole function was to be conscious and to spread that consciousness through cre- ative awareness, exploration, observation and
questioning. This generation was replaced by the Thatcher/Reagan paradigm of Culture=Money. Thinkers became earners, Creatives became entertainers, and a whole dumbed-down generation now feels entitled to success and profit without having to work or think too much. We are now left with a spiritual hollowness. The belief systems of consumption and commodity have been exposed
globalisation. Virtual experiences have
replaced human touch. Analogue culture
is now the exotic.
We have managed to create for our children, perhaps for the first time in history, a future which is less hopeful than the one we live in today.
WHERE IT COULD BE: 28 REDCHURCH STREET (LONDONNEWCASTLE SPACE), 66 REDCHURCH STREET (GALLLERY AND CINEMA), 30 REDCHURCH STREET (NEU GAL- LERY), ROCHELLE SCHOOL (GALLERY, PUBLISHING FESTIVAL), RED- CHURCH STREET VARIOUS GALLERIES/SPACES/EVENTS
THE SIGNATURE ART AWARD
Last month I was chosen as the judges choice for The Signature Art award within the photography category. This is a piece that got me first place. Moses Powers 2009.
Moses Powers_’Worship’_2009_Photography.
Moses Powers_’Worship’_2009_Photography.
Thursday, 9 September 2010
Exquisite Corpse at The Dalston Superstore
Exquisite Corpse was the last exhibition curated by Alex Noble at The Dalston Superstore.
I was asked to create an interpretation of the exquisite corpse.
Here's what I showed...
Moses Powers _'Pet cemetery' _2010._Installation.
Moses Powers_'Mummy'_2009_Photography.
Moses Powers_Collaboration with_Justine Josephs
'Exquisite Corpse'_2010_Photography/Collage.
ID online exhibition review:
Subscribe to:
Comments (Atom)